Asians Misbehavin'
 Philadelphia's Asian American Performance Group
 

Home The Show The Video Company Bios History Reviews Contact Us

Reviews


"Plastique," written by U Shin Kim & Daniel Kim
L to R:  Regie Cabico, U Shin Kim (seated), Daniel Kim
Premiere:  NY International Fringe Festival 2002
(photograph by Tyrone McCloud)

2002 New York Fringe Festival

Asians Misbehavin' 2002 at CSV-Milagro Theatre is an hour and forty five minutes of comic skits and performance poetry by Asian Americans looking more like original Americans than our current Caucasian population.

Three writers/performers and three supporting cast members fire up wit and passion to enact stories of their lives with humor and sometimes not-so-underlying sarcasm.  The skits are set off by Michelle Myers’ poetry—angry, proud, anguished. She performs passionately, with nuanced emotion, but I found the fast-paced, intense rush of words sometimes hard to follow. What I heard was compelling; I wish I'd understood more.

The comic skits cover just about every cliché regarding Asians—primarily Chinese, Japanese and Koreans (who inhabit 16 million square miles of this earth)—from their point of view.  They’ve come to America (roughly a third the size, if size matters), to realize their dreams or the dreams of their parents: to escape poverty and oppression in their homeland:  to honor their ancestors and culture, but in America; to become the next Yo Yo Ma or Silicon Valley whiz.  Instead, this crew slams into the realities of prostitution, sweatshop labor, and discrimination.

Daniel Kim highlights the universality of racism by opening with a hilarious exchange in a Korean deli, and as Model Minority Man, he and his sidekick, Backlash Boy (F. Omar Telan) heroically come to the defense of their fellow Asian Americans.  Or do they?  The audience laughed and cheered enthusiastically at their attempts.

I particularly liked the skit "Plastique":  an Asian youth (U-Shin Kim) decides plastic surgery is the answer.  The doctors do the job, but the results are surprising, and thought provoking.

The pace is brisk, the acting (I did not mention Regie Cabico and his wonderful character acting) and directing by Deborah Nishimura are on the mark.  No credits are given for lighting, set, or costumes, but everything works well for the pieces.  For a refreshing look at the Asian American experience from a slyly funny and illuminating slant, this is a worthwhile evening of theatre.

     -- Pamela Butler, www.nytheatre.com
 

2001 New York Fringe Festival

Asians Misbehavin' is a highly entertaining and very funny collection of well‑written skits and spoken word performance pieces about being Asian in America, and features a special appearance by the spoken word duo Yellow Rage, featured in this year's HBO Comedy Festival. The actors' performances are excellent. The writing was superbly sharp.

      -- Wynn J. Salisch, www.themoviesmagazine.com

This collection of absurd sketches, parody songs, and reflective monologues features a cast of "angry Asian-American underachievers" from the Philadelphia-based Asian Arts Initiative.  Though far from the slacker status they claim, there's plenty of misbehavin' going on here--including helpful shoplifting tips for the klepto-fabulous set. Anula Shetty's monologue work recall her upbringing in Bombay; Daniel Kim leaves a lasting impression, portraying his timid high school self and, later, using mathematical formulas to examine the essence of Korean philosophy: "Either you have it, or you don't."

     -- Scott Makin, www.newyork.citysearch.com
 

2002 Philadelphia Fringe Festival

From the auspices of the Asian Arts Initiative comes outstanding spoken word performance, channeling the hopes, fears and brilliant observations of Asian-American performers. From Michelle Myers' "Yellow Rage," decrying the twin Asian stereotypes of yellow devil and asian cutie, to Dan Kim's wry, excruciatingly funny ode to mandatory childhood piano lessons; from Regie Cabico's advice on how he came out to his poetry students, to Anula Shetty's "Katti Uncle," a heart-stopping tale of secrecy in her Bombay childhood home, this show collects together these voices, without ever limiting the agenda or dictating rules. Intelligent. Contradictory. Fabulous.

     -- Juliet Fletcher, City Paper
 

The 2003 Philadelphia Fringe Festival

The new material Asians Misbehavin' have written is sharp, witty and brilliant, as usual. Taking on subjects from Asian stereotypical film roles, including the docile, back-stabbing villager and the dragon lady, to America's track record of attacking nonwhite countries post-World War II, the troupe is right on target about many subjects.

     -- Helen I-Lin Hwang, City Paper
 


Model Minority Man Insignia
(created by Daniel Kim)

     © 2007, 2008, 2009 Asians Misbehavin'

Banner silhouette by Deborah Boardman